Fig. 18.1 The tritone paradox and contextual modulation of the perceived change in pitch. (a) The ambiguity in the tritone paradox stems from the Shepard tones’ repetitive structure (see Sect….

Fig. 49.1 (a) Results for Experiment 1. Voice recognition performance is plotted as mean d′ over the group of listeners (N  =  14) as a function of the gate duration….

Fig. 42.1 Circles and squares show average percent correct for identical- and reflected-spectra, respectively. Vertical lines show plus and minus 1 standard deviation. Abscissa values are offset for clarity A…

Fig. 44.1 Mean PSDTs (black symbols) compared to the maximum phase shift calculated from the mistuning detection thresholds (MDTs) of Klinge and Klump (2010) (gray symbols). The phase shift in…

Fig. 14.1 Average sentence recognition scores as a function of SNR env with SNR tfs as parameter. The vocoder condition (Voc) is also plotted as a parameter. Error bars indicate…

Fig. 40.1 ECAPs for 4–6 (dashed lines) and amplitude-modulated (solid lines) pulse trains Each panel shows data for one subject Table 40.1 ECAP modulation depth in percent (faint type) and…

Fig. 21.1 Example of the ‘artificial scene’ stimuli used. See text for details This chapter is focused on examining sensitivity to change-related transients. While such sensitivity has been shown to…

Fig. 28.1 The relationship of the noise spectra at each ear (L and R) used in Brown and Yost (2011; left panel) and the current study (right panel). In Brown…

Fig. 4.1 (a) TMC results for a 4-kHz signal for one listener. The legend shows masker frequency. (b) The derived response function. The dashed line shows linear growth (Data are…

Fig. 22.1 Spectrograms of the ‘sir’ end point of the test-word continuum showing the near sound (a) and the effects of increasing its reverberation with the 10-m room impulse response…