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Fig. 17.1 Percentages of pitch-matched F0 relative to the overlap-and-add frequency The response distributions were discrete: most of matches were concentrated near 0 cent or −1,200 cents (an octave below)….

Fig. 10.1 Auditory spectra for five complex tones with the same lowest component (15). The fundamental was 100 Hz and the tones had 2, 3, 5, 9 or 17 consecutive…

Fig. 6.1 Linear reference TMCs obtained with and without the CWN. Symbols and dotted lines: mean experimental data; error bars illustrate  ±  one standard deviation. Continuous lines: computer model simulations…

Fig. 19.1 Left panel: mean thresholds across four listeners as a function of precursor/masker notch width for the unenhanced (filled squares) and enhanced (open circles) conditions. Right panel: threshold differences…

Fig. 2.1 Flow diagram of the MATLAB Auditory Periphery (MAP) model. The lower boxes on the left refer to activity driven by low spontaneous rate (LSR) fibres and forming (speculatively)…

Fig. 5.1 Schematic of the stimuli used in the TMC, FDMC and AFM methods, panels a, b and c, respectively. Double-headed arrows indicate the stimulus that was adaptively varied. M…

Fig. 11.1 Comparisons of thresholds between tasks. Each panel represents one combination of tasks as labeled. Each dot represents one listener 3 Experiment 2: Effects of Training on TFS-Based Pitch…