Evaluation of Voice Outcome and Quality-of-Life Measures

10 Evaluation of Voice Outcome and Quality-of-Life Measures


Declan Costello and Nicholas Gibbins


The evaluation of voice is an area with few high-quality studies to inform and lead the clinician. In part, this is due to the fact that assessment of the voice and of the dysphonic patient can be a vague area. A grossly dysphonic patient may be entirely at ease with the quality of his or her voice and not consider it abnormal, whereas a small loss of range in a professional singer may be a great cause for concern. The assessment of the voice begins with a comprehensive and detailed history.


History


The history should be divided into case history, general medical history, and the general framework of the patient’s life. This last category has a greater significance than a general medical history as it includes the patient’s job, the vocal demands, and any factors that may be affecting these.


Case History


As with any medical history, a detailed description of the problem at hand is needed and a good history often gives the diagnosis.


The nature and time frame of the problem may often hint at the diagnosis and may lead the questioning. The time of day at which it is worse, whether the problem is constant or intermittent, and any exacerbating or relieving factors should be examined.


Beginning the consultation with an open question such as “tell me what is the problem with your voice” will allow patients to explain the problem in their own words and will allow the clinician to pick up on aspects of the problem that are important to the patient. It is also important to watch and listen closely to patients while they explain their problems in the way in which they comport themselves, the words they use in describing their ailments, and the emotions with which they speak.1 This may also aid in judging the perceived severity of the problem for the patient and may help the clinician explain the problem to the patient in appropriate language. Highly stressed or emotional patients may need far more reassurance and a simplistic plan than those patients who present in a more considered manner when an explanation of the anatomy and physiology of their condition will allow them to feel that they have some measure of control and understanding of the problem.


Vocal Hygiene


The health of the vocal tract relies on maintenance of the pliability of the mucosal surfaces. Hydration is key to this, and it is recommended that patients should drink around 2 L of water per day to ensure adequate hydration of the vocal tract. Avoiding caffeine intake (tea, coffee, and soft drinks) is also important in this regard. The use of steam inhalations can help maintain laryngeal hydration. Smoking cessation is imperative as is the avoidance of excessive alcohol intake. Throat clearing is profoundly irritating to the laryngeal mucosa and should be avoided. Vocal behaviors that are considered “abusive”, including screaming and yelling and talking above background noise for prolonged periods, should be avoided..


Reflux History


There is often a degree of laryngopharyngeal reflux (LPR) present in patients who present with dysphonia. Although there is still debate about whether silent reflux is a quantifiable diagnosis, what is certain is that the presence of gastric fluid will cause dehydration in the hypopharynx and larynx. To this end, a reflux scoring system is often used. “The two most popular evaluation scales LPR are the Reflux Symptom Index (RSI)2 and the Reflux Finding Score (RFS) (Table 10.1).3 Both these scales are brief questionnaires that may help assess whether the treatment of LPR has been beneficial.


LPR can be limited with some lifestyle modifications: these include the avoiding eating meals late in the evening, avoiding spicy foods, and eating and drinking nothing (except water) for 3 hours before going to sleep.


General Medical History


Laryngeal dysfunction may be caused by an intrinsic laryngeal problem. However, it may be due to surrounding structures affecting the larynx indirectly. Problems with the lower respiratory tract, stomach and oesophagus, and nose and paranasal sinuses may all cause extraneous material to bathe the larynx, affecting its function.


Table 10.1 Evaluation Scales for Laryngopharyngeal Reflux













Reflux Symptom Index


RSI


Reflux Finding Score


RFS


Lower respiratory tract pathology may cause chronic cough (asthma, bronchitis) or may include the expectoration of infected mucus (emphysema). Bacterially infected material is acidic and may directly damage the vocal tract or indirectly cause dysphonia due to drying of the laryngeal epithelium. Treatment of chronic lower respiratory tract problems often includes steroid inhalers that may dry and thin the laryngeal mucosa.


Acute, chronic, or acute-on-chronic rhinosinusitis may cause infected pus or thick mucus to run down into the oropharynx as a postnasal drip. This may cause cough, irritation of the vocal folds, or drying of the oropharyngeal mucosa.


Gastric problems range greatly and are not confined solely to the esophageal reflux. Vomiting, dysphagia, and bowel habit changes may indicate the presence of a sinister pathology. However, nausea and vomiting may also cause dehydration and inflammation of the oropharyngeal and laryngeal lining. Young singers who are being trained to become performers and who present with dysphonia should be asked about eating habits to exclude anorexia or bulimia.


In addition to these specific areas, a systematic review of systems including a brief assessment of the patient’s psychological well-being will uncover any systemic pathology that may be relevant. This should include a gynecological history (vocal fold cycle related to menstruation) and a musculoskeletal history (osteoarthritis or rheumatoid arthritis).


Smoking and drinking history must be obtained. When patients deny either, do not forget to ask whether they ever did in the past—they may have given up last week before coming to your clinic! Spirits are especially irritating to the oropharyngeal mucosa and may overspill into the larynx.


Professional Voice Users


Professional voice users can be divided into performers (singers, actors) and those with professions that demand voice use (lecturers, teachers, call center workers), and the common theme being that voices are crucial to their careers. As such, changes in the voice can be seen as a catastrophic event even if the cause is fairly benign such as an upper respiratory tract infection.4


Specific questions concerning the role they are currently performing, the range of the role, how often and for how long they are performing, and the environment in which they practice and perform should be asked. Many theaters have dusty wings scenery and curtains, and artificial smoke can be an irritant.


At the end of taking a history, one should ascertain what the patient wishes to get from the consultation and possible treatment. This will ensure that both patient and clinician are aiming for the same goals and have realistic aims.


Subjective Evaluation of Voice


Evaluation of the voice is divided into subjective and objective measures. Under the umbrella term of subjective measures lie both perceptual evaluation and patient questionnaires measuring quality of life. In the modern voice clinic, both of these should be routinely used. In the authors’ practice, the patients are asked to fill in a questionnaire in the waiting room before the appointment—a patient-centered evaluation. This is followed by the doctor’s assessment while listening to the patient—a clinician-centered evaluation. Often these two evaluations give similar overall pictures. However, if there is a large discrepancy, for example, if the clinician hears very little wrong with the voice but the patient questionnaire suggests a terrible condition impinging on the patient’s life, the aims of the appointment and treatment must be carefully addressed and any psychological overlay should be examined.


There are several scoring systems for the clinician to assess the voice (Table 10.2). One of the most widely used is the Grade, Roughness, Breathiness, Asthenia, Strain (GRBAS) scale that marks the overall grade, the roughness, the breathiness, the asthenia (weakness), and the strain of the voice. First described by Hirano,5 it is easy to be trained to use, has good inter-user reliability,6 and remains one of the most important, reliable, and valid methods of voice evaluation.7 Each of the five categories is graded from 0 (no perceived abnormality) to 3 (severe abnormality). Studies have suggested that the GRBAS has a strong inter-user reliability for the grade, roughness, and breathiness but less so for asthenia (weakness) and strain.8


The Grade, Roughness, Breathiness, Asthenia, Strain, Instability (GRBASI)9 scale is essentially the same but includes an instability score, allowing a score for vocal breaks in an otherwise normal voice.


The Consensus Auditory Perceptual Evaluation of Voice (CAPE V)10 is a visual analogue score on a 10-cm line and includes measures of pitch and loudness. It was developed as a consensus statement in 2003 by the American Speech-Language-Hearing Association (ASHA).


Table 10.2 Grading Schemes for Evaluation of the Voice
















Grade, Roughness, Breathiness, Asthenia, Strain


GRBAS


Grade, Roughness, Breathiness, Asthenia, Strain, Instability


GRBASI


Consensus Auditory Perceptual Evaluation of Voice


CAPE V


Vocal Profile Analysis


VPA


The Vocal Profile Analysis (VPA)11 is a detailed descriptor; however, it is considered by many to be too complex for regular use and its outcomes are not, at the time of going to press, validated.


Patient Questionnaires (Quality-of-Life Measures)


The role of patient-centered questionnaires is to determine the impact of the perceived vocal abnormality on the day-today life of the patient (Table 10.3). If there is no sinister cause for their dysphonia, treatment can be based on the perceived impairment or handicap.12 To determine the level of disability, several patient-centered questionnaires have been developed.


The Voice Handicap Index: The Voice Handicap Index (VHI)13 is probably the most widely used. It has 30 questions that determine the physical, functional, and emotional impairment that the patient’s dysphonia causes. Each is scored between 0 (never) and 4 (always), giving a maximum total score of 120. It is useful for the clinician and psychologically for the patient to see the change in scores before and after treatment. Such changes have been well documented14 and are important to record to both justify the treatments used and to be able to assess changes in technique or treatment methods.


The Voice Handicap Index 10: The Voice Handicap Index 10 (VHI-10)15 is an adaptation of the VHI (Appendix 10.1). It has been reduced from 30 to 10 questions and has been validated. The personal preference of the authors is to use the VHI-10 questionnaire as it is quick and easy to fill in and patients seem to prefer a shorter questionnaire.


The Voice Symptom Scale: The Voice Symptom Scale (VoiSS)16 is also a 30-item questionnaire that examines three main parameters: impairment (15 items), emotional symptoms (8 items), and related physical symptoms (7 items). It has been subject to rigorous psychometric evaluation and is the most extensively validated self-report voice measure available.17 However, it is not yet widely used.


The Voice-Related Quality of Life: The Voice-Related Quality of Life (V-RQOL)18 is a 10-item questionnaire that measures well in validity, reliability, and responsiveness tests. It has not been through the same rigorous validation as the VoiSS but is an easy-to-use questionnaire.


Table 10.3 Patient Quality-of-Life Questionnaires
















Voice Handicap Index


VHI


Voice Handicap Index 10


VHI-10


Voice Symptom Scale


VoiSS


Voice-Related Quality of Life


V-RQOL


Appendix 10.1 Voice Handicap Index 10
Instructions: These are statements that many people have used to describe their voices and the effects of their voices on their lives. Circle the response that indicates how frequently you have the same experience.

















































0 = Never


 


1 = Almost never


 


2 = Sometimes


 


3 = Almost always


 


4 = Always


 


1. My voice makes it difficult for people to hear me.


0 1 2 3 4


2. People have difficulty understanding me in a noisy room.


0 1 2 3 4


3. People ask, “What’s wrong with your voice?”


0 1 2 3 4


4. I feel as though I have to strain to produce voice.


0 1 2 3 4


5. My voice difficulties restrict my personal and social life.


0 1 2 3 4


6. The clarity of my voice is unpredictable.


0 1 2 3 4


7. I feel left out of conversation because of my voice.


0 1 2 3 4


8. My voice problem causes me to lose income.


0 1 2 3 4


9. My voice problem upsets me.


0 1 2 3 4


10. My voice problem makes me feel handicapped.


0 1 2 3 4


Adapted from Deary, IJ, Webb A, Mackenzie K, Wilson JA, Carding PN. Short, Self-Report Voice Symptom Scales: Psychometric Characteristics of the Voice Handicap Index-10 and the Vocal Performance Questionnaire. Otolaryngology – Head and Neck Surgery. 2004;131(3):232–235.


Each of the above is validated and has its exponents and its detractors. Other than the level of validation, none of these have proven benefit over any of the others and so it is, in large part, the personal preference of the clinician to use any of these. The reason that none of these has any benefit over any of the others is probably in part due to the fact that they measure the patient’s perception of their own voice that may or may not correlate with the clinician’s perception of the patient’s voice. As long as the questionnaire used has good reliability and can be used pre- and post-treatment, any of these may be used.


Whichever of the various scoring systems are used (remembering that patient- and clinician-rated systems should both be employed), it is imperative that quantification of the progress of treatment is recorded. This provides a valuable research tool and allows for audit and comparison of treatments.



Clinical Pearls


A patient who presents with a significantly elevated VHI, or in whom the VHI seems inappropriately high given the clinician’s evaluation of their voice, may have significant psychological overlay. This should be addressed.

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Aug 8, 2016 | Posted by in OTOLARYNGOLOGY | Comments Off on Evaluation of Voice Outcome and Quality-of-Life Measures

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