10 Evaluation of Voice Outcome and Quality-of-Life Measures The evaluation of voice is an area with few high-quality studies to inform and lead the clinician. In part, this is due to the fact that assessment of the voice and of the dysphonic patient can be a vague area. A grossly dysphonic patient may be entirely at ease with the quality of his or her voice and not consider it abnormal, whereas a small loss of range in a professional singer may be a great cause for concern. The assessment of the voice begins with a comprehensive and detailed history. The history should be divided into case history, general medical history, and the general framework of the patient’s life. This last category has a greater significance than a general medical history as it includes the patient’s job, the vocal demands, and any factors that may be affecting these. As with any medical history, a detailed description of the problem at hand is needed and a good history often gives the diagnosis. The nature and time frame of the problem may often hint at the diagnosis and may lead the questioning. The time of day at which it is worse, whether the problem is constant or intermittent, and any exacerbating or relieving factors should be examined. Beginning the consultation with an open question such as “tell me what is the problem with your voice” will allow patients to explain the problem in their own words and will allow the clinician to pick up on aspects of the problem that are important to the patient. It is also important to watch and listen closely to patients while they explain their problems in the way in which they comport themselves, the words they use in describing their ailments, and the emotions with which they speak.1 This may also aid in judging the perceived severity of the problem for the patient and may help the clinician explain the problem to the patient in appropriate language. Highly stressed or emotional patients may need far more reassurance and a simplistic plan than those patients who present in a more considered manner when an explanation of the anatomy and physiology of their condition will allow them to feel that they have some measure of control and understanding of the problem. The health of the vocal tract relies on maintenance of the pliability of the mucosal surfaces. Hydration is key to this, and it is recommended that patients should drink around 2 L of water per day to ensure adequate hydration of the vocal tract. Avoiding caffeine intake (tea, coffee, and soft drinks) is also important in this regard. The use of steam inhalations can help maintain laryngeal hydration. Smoking cessation is imperative as is the avoidance of excessive alcohol intake. Throat clearing is profoundly irritating to the laryngeal mucosa and should be avoided. Vocal behaviors that are considered “abusive”, including screaming and yelling and talking above background noise for prolonged periods, should be avoided.. There is often a degree of laryngopharyngeal reflux (LPR) present in patients who present with dysphonia. Although there is still debate about whether silent reflux is a quantifiable diagnosis, what is certain is that the presence of gastric fluid will cause dehydration in the hypopharynx and larynx. To this end, a reflux scoring system is often used. “The two most popular evaluation scales LPR are the Reflux Symptom Index (RSI)2 and the Reflux Finding Score (RFS) (Table 10.1).3 Both these scales are brief questionnaires that may help assess whether the treatment of LPR has been beneficial. LPR can be limited with some lifestyle modifications: these include the avoiding eating meals late in the evening, avoiding spicy foods, and eating and drinking nothing (except water) for 3 hours before going to sleep. Laryngeal dysfunction may be caused by an intrinsic laryngeal problem. However, it may be due to surrounding structures affecting the larynx indirectly. Problems with the lower respiratory tract, stomach and oesophagus, and nose and paranasal sinuses may all cause extraneous material to bathe the larynx, affecting its function.
History
Case History
Vocal Hygiene
Reflux History
General Medical History
Reflux Symptom Index | RSI |
Reflux Finding Score | RFS |
Acute, chronic, or acute-on-chronic rhinosinusitis may cause infected pus or thick mucus to run down into the oropharynx as a postnasal drip. This may cause cough, irritation of the vocal folds, or drying of the oropharyngeal mucosa.
Gastric problems range greatly and are not confined solely to the esophageal reflux. Vomiting, dysphagia, and bowel habit changes may indicate the presence of a sinister pathology. However, nausea and vomiting may also cause dehydration and inflammation of the oropharyngeal and laryngeal lining. Young singers who are being trained to become performers and who present with dysphonia should be asked about eating habits to exclude anorexia or bulimia.
In addition to these specific areas, a systematic review of systems including a brief assessment of the patient’s psychological well-being will uncover any systemic pathology that may be relevant. This should include a gynecological history (vocal fold cycle related to menstruation) and a musculoskeletal history (osteoarthritis or rheumatoid arthritis).
Smoking and drinking history must be obtained. When patients deny either, do not forget to ask whether they ever did in the past—they may have given up last week before coming to your clinic! Spirits are especially irritating to the oropharyngeal mucosa and may overspill into the larynx.
Professional Voice Users
Professional voice users can be divided into performers (singers, actors) and those with professions that demand voice use (lecturers, teachers, call center workers), and the common theme being that voices are crucial to their careers. As such, changes in the voice can be seen as a catastrophic event even if the cause is fairly benign such as an upper respiratory tract infection.4
Specific questions concerning the role they are currently performing, the range of the role, how often and for how long they are performing, and the environment in which they practice and perform should be asked. Many theaters have dusty wings scenery and curtains, and artificial smoke can be an irritant.
At the end of taking a history, one should ascertain what the patient wishes to get from the consultation and possible treatment. This will ensure that both patient and clinician are aiming for the same goals and have realistic aims.
Subjective Evaluation of Voice
Evaluation of the voice is divided into subjective and objective measures. Under the umbrella term of subjective measures lie both perceptual evaluation and patient questionnaires measuring quality of life. In the modern voice clinic, both of these should be routinely used. In the authors’ practice, the patients are asked to fill in a questionnaire in the waiting room before the appointment—a patient-centered evaluation. This is followed by the doctor’s assessment while listening to the patient—a clinician-centered evaluation. Often these two evaluations give similar overall pictures. However, if there is a large discrepancy, for example, if the clinician hears very little wrong with the voice but the patient questionnaire suggests a terrible condition impinging on the patient’s life, the aims of the appointment and treatment must be carefully addressed and any psychological overlay should be examined.
There are several scoring systems for the clinician to assess the voice (Table 10.2). One of the most widely used is the Grade, Roughness, Breathiness, Asthenia, Strain (GRBAS) scale that marks the overall grade, the roughness, the breathiness, the asthenia (weakness), and the strain of the voice. First described by Hirano,5 it is easy to be trained to use, has good inter-user reliability,6 and remains one of the most important, reliable, and valid methods of voice evaluation.7 Each of the five categories is graded from 0 (no perceived abnormality) to 3 (severe abnormality). Studies have suggested that the GRBAS has a strong inter-user reliability for the grade, roughness, and breathiness but less so for asthenia (weakness) and strain.8
The Grade, Roughness, Breathiness, Asthenia, Strain, Instability (GRBASI)9 scale is essentially the same but includes an instability score, allowing a score for vocal breaks in an otherwise normal voice.
The Consensus Auditory Perceptual Evaluation of Voice (CAPE V)10 is a visual analogue score on a 10-cm line and includes measures of pitch and loudness. It was developed as a consensus statement in 2003 by the American Speech-Language-Hearing Association (ASHA).
Grade, Roughness, Breathiness, Asthenia, Strain | GRBAS |
Grade, Roughness, Breathiness, Asthenia, Strain, Instability | GRBASI |
Consensus Auditory Perceptual Evaluation of Voice | CAPE V |
Vocal Profile Analysis | VPA |
The Vocal Profile Analysis (VPA)11 is a detailed descriptor; however, it is considered by many to be too complex for regular use and its outcomes are not, at the time of going to press, validated.
Patient Questionnaires (Quality-of-Life Measures)
The role of patient-centered questionnaires is to determine the impact of the perceived vocal abnormality on the day-today life of the patient (Table 10.3). If there is no sinister cause for their dysphonia, treatment can be based on the perceived impairment or handicap.12 To determine the level of disability, several patient-centered questionnaires have been developed.
•The Voice Handicap Index: The Voice Handicap Index (VHI)13 is probably the most widely used. It has 30 questions that determine the physical, functional, and emotional impairment that the patient’s dysphonia causes. Each is scored between 0 (never) and 4 (always), giving a maximum total score of 120. It is useful for the clinician and psychologically for the patient to see the change in scores before and after treatment. Such changes have been well documented14 and are important to record to both justify the treatments used and to be able to assess changes in technique or treatment methods.
•The Voice Handicap Index 10: The Voice Handicap Index 10 (VHI-10)15 is an adaptation of the VHI (Appendix 10.1). It has been reduced from 30 to 10 questions and has been validated. The personal preference of the authors is to use the VHI-10 questionnaire as it is quick and easy to fill in and patients seem to prefer a shorter questionnaire.
•The Voice Symptom Scale: The Voice Symptom Scale (VoiSS)16 is also a 30-item questionnaire that examines three main parameters: impairment (15 items), emotional symptoms (8 items), and related physical symptoms (7 items). It has been subject to rigorous psychometric evaluation and is the most extensively validated self-report voice measure available.17 However, it is not yet widely used.
•The Voice-Related Quality of Life: The Voice-Related Quality of Life (V-RQOL)18 is a 10-item questionnaire that measures well in validity, reliability, and responsiveness tests. It has not been through the same rigorous validation as the VoiSS but is an easy-to-use questionnaire.
Voice Handicap Index | VHI |
Voice Handicap Index 10 | VHI-10 |
Voice Symptom Scale | VoiSS |
Voice-Related Quality of Life | V-RQOL |
0 = Never |
|
1 = Almost never |
|
2 = Sometimes |
|
3 = Almost always |
|
4 = Always |
|
1. My voice makes it difficult for people to hear me. | 0 1 2 3 4 |
2. People have difficulty understanding me in a noisy room. | 0 1 2 3 4 |
3. People ask, “What’s wrong with your voice?” | 0 1 2 3 4 |
4. I feel as though I have to strain to produce voice. | 0 1 2 3 4 |
5. My voice difficulties restrict my personal and social life. | 0 1 2 3 4 |
6. The clarity of my voice is unpredictable. | 0 1 2 3 4 |
7. I feel left out of conversation because of my voice. | 0 1 2 3 4 |
8. My voice problem causes me to lose income. | 0 1 2 3 4 |
9. My voice problem upsets me. | 0 1 2 3 4 |
10. My voice problem makes me feel handicapped. | 0 1 2 3 4 |
Adapted from Deary, IJ, Webb A, Mackenzie K, Wilson JA, Carding PN. Short, Self-Report Voice Symptom Scales: Psychometric Characteristics of the Voice Handicap Index-10 and the Vocal Performance Questionnaire. Otolaryngology – Head and Neck Surgery. 2004;131(3):232–235.
Whichever of the various scoring systems are used (remembering that patient- and clinician-rated systems should both be employed), it is imperative that quantification of the progress of treatment is recorded. This provides a valuable research tool and allows for audit and comparison of treatments.
Clinical Pearls
A patient who presents with a significantly elevated VHI, or in whom the VHI seems inappropriately high given the clinician’s evaluation of their voice, may have significant psychological overlay. This should be addressed.